Where
Sound
Lives.

The Tascam M-3700 is the control room centerpiece — a 32-channel fully balanced inline analog console with modified input and master sections and full VCA automation for true "out of the box" mixing. For extra flavor, the Yamaha M916 handles drum and vocal tracking and serves as a summing mixer, adding more analog iron to the signal path.

Genelec 1030As as the primary reference — accurate, unforgiving, trusted. KRK V8 Series 1 as a secondary check — warmer, consumer-adjacent. Two perspectives on every mix.

The MSR-16 isn't in the room for nostalgia — it's there because tape does something to audio that remains genuinely useful. Running through tape, transients are gently rounded, the low end thickens, and individual tracks begin to feel like they belong together. It's not distortion in the negative sense — it's the kind of character that makes a recording feel like it was played by people in a room, not assembled on a screen

4× BSS DPR-404 Compressor/De-Esser and 2× BSS DPR-504 Quad Noise Gate give us sixteen channels of outboard dynamics. Paired with the Lexicon PCM 90 — the gold standard of studio reverb — for a signal chain that shapes and spaces every source with precision.

Pro Tools running on an Apple M4 Mac — the industry standard DAW on the fast Apple Silicon. Used for editing, comping, and post-production work alongside the analog and hardware recording chain.

Two 24-track hard disk recorders running in tandem — 48 tracks total. Both units have been upgraded with SSDs for silent operation, faster load times, and improved reliability. Records at 24-bit / 44.1, 48, or 96kHz. No computer required — just press record.